Breakaway Vst Plugin

Home Products Mfr / Trade Name: VST x Hanging Hardware: Breakaway x Reattachable EVR Balance Safety Breakaway x Vapor Systems Technologie - Reattachable EVR Balance Safety Breakaway Item No. The VST support for BreakawayOne is only applied to the input. So I guess you'd have to run Stereo Tool as a VST inside BAOne for the declipper and stuff, then route your Breakaway output pipeline through the stand alone version of Stereo Tool to get the final FM processing. Jun 30, 2016 Download Breakaway Audio Enhancer for Windows to enhance the quality of your PC audio and enjoy better consistency and depth of your music and movies. Breakaway Audio Enhancer has had 0 updates. Esta vercion de zara admite pluggins para los q dicen q no los admite aca esta la prueva. Breakaway Broadcast VST Plugin « on: March 19, 2009, 11:32:35 AM » I would be really appreciated if anyone can provide me with Breakaway Broadcast VST PLugin, even as a Beta or Trial version.

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Breakaway Audio Enhancer is an easy to use piece of software designed to help you improve your music listening experience, by providing you with advanced features, similar to what professionals use.

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Post subject:Stereotool vs Breakaway vs Z/IPStream 9X2

Joined: Thu Oct 20, 2016 9:19 pm
Posts: 9
Hi all,
First of all, excuse my English, I'm French and I have been passionate about broadcast sound processors since many many years.
I'm thinking about getting the best sound possible as I am a big fan of omnia and orban but can't afford their hardware products :/
According to your experience, personal and professional, what is the best sound between Breakaway, ZIPSTREAM 9x2 and stereotool. I know their options are different when we want to broadcast, but it's for a personal use. I have tried the Omnia, LOVE the sound but I also really like breakway [the pre emphasis.) and stereotool ( but difficult to set up, the interface is not enough user friendly to me).
Could you give me your point of view and pros and cons for each of them ?
Thank you a LOT in advance for your help, I'm a bit lost and seriously think about purchasing the ZIPstream 9x2 but it's a bit expensive for a personal use.


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Post subject:Re: Stereotool vs Breakaway vs Z/IPStream 9X2
Site Admin

Joined: Mon Mar 17, 2008 1:40 am
Posts: 10076
You might want to include Omnia SST in your comparison, it's a lot easier to set up than Stereo Tool.
http://www.minnetonkaaudioshop.com/3001-00070
This is for FM, so it might be overkill.


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Post subject:Re: Stereotool vs Breakaway vs Z/IPStream 9X2

Joined: Thu Oct 20, 2016 9:19 pm
Posts: 9
You might want to include Omnia SST in your comparison, it's a lot easier to set up than Stereo Tool.
http://www.minnetonkaaudioshop.com/3001-00070
This is for FM, so it might be overkill.
Thank you ! Yeah but how can I hear the sound ? I don't understand the products line, very complicated : Omnia 9xe, Omnia SST, don't know which one has the best sound processor. Does the Omnia SST has the same sound, processor of Stereotool ? What is the best for audio between those ones : Stereotool, Breakaway, Omnia ?


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Post subject:Re: Stereotool vs Breakaway vs Z/IPStream 9X2

Joined: Tue Nov 03, 2015 2:28 pm
Posts: 12
Location: Dominican Republic
Do you want to use it on FM / AM or Online Streaming?


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Post subject:Re: Stereotool vs Breakaway vs Z/IPStream 9X2

Joined: Thu Oct 20, 2016 9:19 pm
Posts: 9
Do you want to use it on FM / AM or Online Streaming?

It's for a personal use. As I explained, I have always been passionate about broadcast audio processors. When I was 12, my only wish was to reproduce the sound heard on the radio. First, I thought special CDs were sent to radios, and then, I discovered compressors etc. ))) Can't listen to my music without having it processed


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Post subject:Re: Stereotool vs Breakaway vs Z/IPStream 9X2

Joined: Thu Oct 20, 2016 9:19 pm
Posts: 9
Hi All,
Could you help me
I am looking forward to find a way to geta software very close to the Omnia sound.
I understand that there are three 'schools' at Telos Alliance :
1. Team Leif (Omnia 7,9, 9x2, Breakaway)
2. Team Cornelius (Omnia Axe, Omnia 11)
3. Tea Hans (Stereotool, Omnia SST)
I can't afford an Omnia in hardware but I would love to have something closer to the 'original sound' of Omnia. What should I do ? I am now using an Omnia AXE for my little radio (my project has evolved) (sunnydale radio on TuneIN), but i am now considering buying a ZipStream X2 (with 3 bands) or getting a 9xe or an Omnia sst. but according to the information they sound a lot different from each other. What do think about the three band processing from ZIPstreamx2 ?
Is it worth buying à 9x2 or an Omnia SST ? I would very much appreciate to be able to have a conversation with an engineer or a user passionate about sound processors to understand the difference in the processing. It seems like there is no more 'Omnia Sounds' >> I loved the Omnia 4) >> as there are three different schools, three different sounds. Thanks a lot for your help and sorry for my english.
here is the link to my radio : http://tun.in/sfvsa (on mobile only for the moment)


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Post subject:Re: Stereotool vs Breakaway vs Z/IPStream 9X2

Joined: Fri Jun 05, 2015 1:29 pm
Posts: 4
Stereo Tool will get you very close to the sound of the hardware processors. I've helped a couple stations get their stream to sound every bit as good as large market US stations. In a side by side comparison between stereo tool and stations using the latest Orban / Omnia hardware, I found stereo tool to be of similar capability.
Why don't you give it a try with the 39 euro version? There are many presets that are a great starting point. You may find help from someone on this forum to suggest some tweaks once you put it on the stream.
Sean

_________________
Broadcast Voiceover Talent
http://www.SeanCaldwell.com


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Post subject:Re: Stereotool vs Breakaway vs Z/IPStream 9X2

Joined: Mon Jan 22, 2018 11:29 am
Posts: 3
I understand that Omnia 7/9 uses the Undo + Composite clipper + Stereo Generator from Stereo Tools, and the rest of the sound processing follows the algorithms of BreakawayOne?
What do you think, which option would be better - buy Omnia 7 (~ 6500 $) or try to build a variant of PC + sound card + SST / StereoTool / BreakawayOne (~2500-3000$) for FM radio?


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Post subject:Re: Stereotool vs Breakaway vs Z/IPStream 9X2

Joined: Thu May 14, 2020 6:59 pm
Posts: 12
So, what did you decide on? The plugin?


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Post subject:Re: Stereotool vs Breakaway vs Z/IPStream 9X2

Joined: Sun Dec 23, 2018 7:44 pm
Posts: 164
Location: Texas, USA
My understanding is that Undo is actually two parts: Hans's declipper and Leif Claesson's dynamics detection/expansion (which is not in BreakawayOne).
I've been using Stereo Tool's VST with BreakawayOne for a couple years now, and it's been an excellent combo. However lately Stereo Tool has overtaken BreakawayOne for my use (personal/home audio) as the way to handle peaks and other processing, like sub harmonics or the multiband. BreakawayOne's HD core is still great for gaming and other apps that need minimal latency, and I use it to run ST's VST plugin for easy swapping between processors. (edit: I'd say at the moment my primary use for BAO is to output processed sound to multiple devices. I don't know if I'd continue using BAO if ST received an update to its I/O).
Also, wouldn't you want the SG/clipper after the AGC/multiband? The VST support for BreakawayOne is only applied to the input. So I guess you'd have to run Stereo Tool as a VST inside BAOne for the declipper and stuff, then route your Breakaway output pipeline through the stand alone version of Stereo Tool to get the final FM processing.
If Leif's multiband detection and expansion algorithm is as great as he makes it out to be (and the demonstrations back this up), an Undo capable appliance seems to be the way to go, IMO. Correct me if I'm wrong, but it always seemed that part of the high cost of hardware processors is that you're paying the premium to have tech support by industry professionals.


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[ 10 posts ]

Download and try the all new BreakawayOne. The trial version is fully functional and will run forever.
There are no feature limitations, it will simply interrupt your audio now and then (not too often) with very short audio jingles, which are removed when you purchase a license.

If you need to send audio to or from another program on the same computer as BreakawayOne, also download our Virtual Audio Device, “Breakaway Pipeline”.

For System requirements and the Quick Start Guide: Click here

Version history:

3.19.43 – June 29, 2018
  • Primary/Secondary inputs! PT cores can now serve as secondary input for backup / voiceover insertion / EAS (emergency alert) purposes.
  • PT core: 12dB stream attenuation option added (useful when using the streaming encoder as the STL with the declipper at the studio end)
  • “Standby or Primary” mode for the secondary stream receiver:
    • Gives the secondary stream receiver, when in standby mode, higher priority than the main input.
    • Useful in conjuction with the “Give up if slow” primary stream receiver option.
    • Also useful when the main input is a local backup player
  • FLAC Reduced mode (700kbps) is now 24-bit
  • FLAC bit-rate management added — bit rate now longer drops on silence or mono tracks. Much more reliable for streaming.
  • Metadata file reader now ignores UTF-8 BOM
  • Stream Receiver status code and silence HTTP readable parameters added
  • Stream Receiver “Give up if slow” option added, controllable through HTTP server
  • Stream Receiver silence sense threshold adjustable through HTTP server
  • HD Core: Mono Mix Bass option added. Improves comfort when listening in headphones.
  • VST plug-in compatibility improved
  • Utility Launch added (mgmt package) – can run commands on startup/shutdown
3.19.34 – May 21, 2018
  • Multiband Mitigation control now three levels (Medium equals ON in earlier versions)
  • Outbound Connection stability issue introduced in 3.19.31 fixed (two steps forward, one step back)
3.19.31 – May 21, 2018
  • VST Pre/Post gain shift control added
  • HTTP remote update implemented
  • Software Watchdog added, will restart the program automatically if the unthinkable happen.
  • Separate Low latency controls now hidden when LL is disabled
  • Many intermittent stability issues fixed
3.19.29 – May 13, 2018
  • Maximum ASIO buffer size (2048 at 48k, 8192 at 192k) now enforced.
3.19.28 – May 12, 2018
  • I/O section menu layout issues fixed
  • Configure while running bugs fixed
  • RDS RT/PS text entry field length increased
3.19.26 – May 10, 2018
  • Stream Receiver delay accuracy further refined
  • BaRemote New Window menu command
3.19.25 – April 28, 2018
  • Gain Riding Range and Power can now be set separately (lower) for the separate low latency processor. This may help counteract the phenomenon of DJs suddenly becoming terrible at gain-riding (with resulting all-over-the-place levels) as soon as they get a processed monitor feed.
  • Stream Receiver desired buffer adjustment resolution increased – now 0.01 seconds across the entire range. Maximum Range decreased to 1 minute because who needs 5 now that standby backup is available.
  • Livewire channels will now be automatically retaken if they and the clock go away with no warning, for example by a switch reboot somewhere upstream.
  • Configure while Running no longer restarts the processor if no changes were made.
3.19.24 – April 27, 2018
  • Diversity Delay can now be moved to before the stream receiver. This allows near-seamless silence sense based failover from main input to the standby backup stream receiver, by delaying the main input to be in sync with the stream.
  • Silence sense happens before the diversity delay, so this also serves as look-ahead, allowing the backup stream receiver to take over before you are off the air.
  • Pre Stream Receiver patch point added, to facilitate adjusting the diversity delay for near perfect sync with the stream receiver without having to toggle it on/off. (Use an Input and Pre Stream Receiver oscilloscope side by side and tune the diversity delay until they’re in sync).
  • Stream receiver initial delay accuracy improved
  • WDM Input can now be the master clock:
    • When pushing for low latency with for example on-board Realtek, there can be the occasional dropout.
      If the input is not master clock, it must go through a buffer / sample rate converter, and that’s where the dropout can occur.
      If this happens at the input, it affects ALL outputs.
      If input is master clock, then any glitch would happen at the low latency speaker output only, and not affect any other output!
    • Because an input can now be clock master, no output device is required — no need to enable Internal PLL if you’re using only an input sound card.
  • New Preset: Nebula
  • Fifo on-the-fly buffer adjustment bug fixed — should no longer get stuck.

3.19.23 – April 24, 2018

  • Internal PLL master clock option added. Allows running completely without a sound card. Internal PLL can be locked to network clock, meaning no sample rate conversion necessary for any AoIP (Livewire/AES67) I/O.
  • Default display configurations added for all core types. Will not affect existing configurations, but BaRemote from a fresh system will now get sensible default display settings.
    You can apply the new default display configuration by deleting the old one:
    • For the App, BreakawayOne Shortcuts – Data Folders – BaOne Config Files. Delete “BreakawayOne – Gui.ini”. Do not delete any other files.
    • For BaRemote, hold the left Shift key while connecting. A popup will open, asking whether to keep saved settings. Select “No”.

    Please note that certain selected patch points saved in the user configurations in BaRemote may revert to Input Left due to several related bug fixes.

  • Full FM L/R output and Separate Low Latency processing can now be disabled – reduces CPU load
  • Full AM Separate Low Latency processing can now be disabled – reduces CPU load
  • PT core now has Input Meters
  • AM core Mid/Side output meters now work also in Low Latency mode
  • Backup stream receiver standby mode keep-alive now handles Icecast XSPF and Shoutcast 1.x 7.html

3.19.20 – April 17, 2018

  • Common internal stream server added – user-definable port, user-definable mount points for each stream (icecast-style).
    This allows using 4G connections in both ends for the backup STL, by using a VPN provider. VPN providers usually only give you one public port forward.
    Per-stream static ports still work as before.
  • Backup stream receiver can now bind to specific local network interface (either by Local IP or by MAC address)
  • FM MPX Test Generator now separate for MPX 1 and MPX 2
  • PT / HD Bypass Output wrap-around issue fixed
  • RDS character set updated (tilde, underscore, circumflex accent and grave accent added, previously untranslated)

3.19.16 – April 8, 2018

  • Secondary stream receiver keepalive + connection test implemented
  • Multipath Mitigation now also applies to FM Low Latency mode
  • Input channel mode selection (L/R stereo, L only, R only, L+R mono)
  • Neutral Voice preset added
  • Fine-toothed comb debugging, several stability related bugs fixed
  • ITU BS-412 MPX power level corrected

3.19.11 – April 6, 2018

  • Multipath Mitigation control added
  • File/URL metadata now updates much more quickly

3.19.07 – April 2, 2018

  • Crash bug in HTTP interface fixed

3.19.06 – March 27, 2018

  • WDM (Kernel Streaming / Wave) I/O now 24-bit resolution

3.19.00 – March 24, 2018

  • Stream receiver and encoder now 24-bit resolution
    • FLAC Uncompressed 24-bit mode. Other modes 16-bit with dithering
    • MP3 is fully 24-bit
    • MP2 is 16-bit with dithering
    • Vorbis / Opus (external encoder) is fully 24-bit
    • AAC / HE-AAC (external encoder) is 16-bit with dithering
3.18.98 – March 22, 2018

Mixing functionality:

  • ASIO + WDM (Kernel Streaming/Wave) inputs are now mixed, with separate level sliders.Useful for small web radio stations, making it possible to feed a playout system on the same PC
    into BreakawayOne through Breakaway Pipeline, while feeding a microphone through the ASIO sound card.

AM support with the new Basic AM / Full AM core types!

  • Selectable NRSC pre-emphasis
  • Up to 150% asymmetry
  • Strict filtering. Bandwidth selectable 3.0 – 10.0 kHz, 15.0 kHz without NRSC.

Basic AM:

  • A high quality Mono AM processor. Can be upgraded with Livewire+/AES67 support.

Full AM:

Vst Plugin Audacity

  • A high quality C-QUAM compliant AM Stereo processor.
  • Can be used in Low Latency mode for live off-air monitoring.
  • A separate low latency processor for studio monitoring is included, also when the main processor is in high quality mode.
  • A flexible speaker controller is included for calibrating your studio speakers.
  • Can be upgraded with Livewire+/AES67 support.

Full FM:

  • RDS now has 10 alternative frequency slots (Basic has 4)
  • With Management Package, new “Very High Quality” mode added for even better on-air sound

Streaming Encoder:

    • MP3, MP2 and FLAC are now built in and no longer require external encoders.

Server configuration greatly simplified, with dedicated server type selection:

    • Icecast 2
    • Shoutcast 2
    • Shoutcast 1
    • Internal Streaming Server (NEW:)
      • Allows pulling a stream directly from BreakawayOne. Useful as an STL, or for utility feeds for events etc.
    • Serves up to 9 streams per encoder.
    • Access can be controlled by IP whitelist and/or static key
    • Adjustable Burst on Connect

Stream Receiver (included with the management package):

  • Buffer can now be set up to 300 seconds (5 minutes)
  • Gain control added
  • Silence detection, so that a silent stream does not override the main input.
  • Double-buffered: If connection lost, it will keep playing one buffer while reconnecting and filling the other buffer, to avoid silence/dead air.
  • Can now accept multiple URLs (used in a round-robin fashion), separated by a space.
  • Dual stream receivers. The secondary receiver has:
    • Standby/Backup functionality. It will wake up and connect to its source stream at the first sign of trouble in the primary stream receiver, such as network congestion.
      This makes it usable over metered connections such as 3G/4G because it will only use data when active.
      With Burst on Connect tuned properly, it can be ready and playing before the primary receiver runs out of data, for nearly seamless takeover.
      All this makes it viable to use the public internet as an STL, as you can achieve high reliability with a standard ADSL line + 3G backup.It can also function as a backup for the main input, but then there will unavoidably be some dead
      air before the main input silence detector (also new in this version) wakes the backup stream receiver up.
    • Override mode, where it overrides both the primary stream receiver and the main input when it has a non-silent stream. Useful for Guest DJs.

Pass-through core license rule change: lil wayne ft charlie puth download

  • If you’re using only pass-through cores (no HD, FM or AM), then run-as-service, BaRemote and HTTP control are included for free, and no longer require the management package.This makes the PT + Streaming option a cost effective, high quality, reliable streaming encoder in its own right,
    useful anywhere you need a high quality streaming encoder, no matter what processor you use.

/free-sub-bass-vst-mac.html. New Presets:

  • Gift of Gab by Alex Hartman. Perfect for all-talk stations.
  • JurassicAM by Alex Hartman, for AM stereo. Classic rock with great stereo separation.
  • Rockos Modern AM by Alex Hartman. For AM Mono, 10 KHz. Aggressive preset to pop off the dial.
  • X marks the Spot by Troy Welsh. Fresh and cool sounding music preset.
  • Smooth – an updated version of the classic CGSmooth preset from Breakaway Broadcast, originally by Cornelius Gould.
  • Twente – ported from Breakaway Broadcast, a great preset for great pirates playing great music of greatly varying quality.

BaRemote:

  • Connection benchmarking now takes ping time into account for more reliable connections
  • Double-click on an active display to maximize that display

Livewire/AES67:

  • MPX data format is now Network Byte Order (MSB) as it should have been all along

System:

    • Full logging implemented.Can be accessed in the following ways:
      • BreakawayOne Shortcuts: Data Folders – BaOne Config Files – Log
      • From the main window: Common – System – System Info – Backup (Save) Configuration
      • Explorer: c:UsersuserAppDataLocalBreakawayOnelog
      • HTTP server (port 8282, management package only): http://127.0.0.1:8282/log
  • Watchdog (management package only):
    Can execute commands after selectable silence periods, and when audio returns.
3.16.84 – December 22, 2016
  • Get current configuration feature added. Greatly simplifies providing us the correct information when you’re requesting a license key.
    The button is under Common / System / License Information.
  • Pass-through cores: Pass-through Livewire output added; sends the direct sound card input and doesn’t get overridden by either the stream receiver or the Livewire input. This allows full-duplex node functionality in a single PT-core.
3.16.83 – December 20, 2016
  • Refinement release
  • RDS encoder now enforces selection of PI code
  • BaRemote command line switch documentation updated
3.16.82 – December 20, 2016
  • Refinement release
  • VST Plug-in settings are now saved by index instead of by name
3.16.81 – December 19, 2016

Breakaway Vst Plugin Download

  • VST Plug-in Support

Features:

  • VST plug-ins are inserted after auto-balance and diversity delay, before the AGC.
  • Plug-ins execute in a separate host process so your on-air audio is protected even if a plug-in crashes the host process
  • Pre-VST patch point, for displaying, analyzing and listening before and after the plug-ins, without affecting on-air output
  • 5 plug-ins can be used per core. Plug-ins can be shared by routing input audio from another core’s Post Plug-in audio.
  • Uses 32-bit VST plug-ins for maximum compatibility (even though BreakawayOne is 64-bit native).
  • Bypass delay can be matched to plug-in delay with a slider, for synchronized meters and minimal audio interruption when enabling/disabling plug-ins

Caveats:

  • Services run in the SYSTEM account and cannot open windows, so when BreakawayOne is running as a service, the Plug-in configuration windows will be unavailable.
    Plug-ins with remote control support (for example TCP or HTTP) can be controlled regardless. For plug-ins that can only be controlled from their own user interface, run BreakawayOne as an App while adjusting the plug-ins, then leave them alone.
  • Plug-ins are after the Diversity Delay in the path, so any core that uses the Post-plug-in routing option gets the diversity delay.
    Thus, if you want to share plug-ins between an FM and HD Radio core, put the plug-ins in the HD core, and set FM source to “HD Post Plug-in”, so that FM gets its own Diversity Delay, and doesn’t affect the HD.

Vst Plugin Free

3.16.80 – December 16, 2016

  • Multi-instance startup performance dramatically improved
  • AutoBalance added
  • TRIAL labels can now be hidden from the main window.
  • 2B/5B Protection Limit presets added, including BS-412 versions
  • HD Output Level control added
  • Most labels can now be changed without restarting
  • Location (displayed in GUI) can now be user defined. Useful for keeping track of multiple BA1 systems. Mgmt Package only.
  • About Core page added for each core, shows exactly what features are enabled

3.16.79 – December 14, 2016

Fixes a bug in 3.16.78 where the processor would crash on startup if the Management Package option was disabled.